Originally posted by: ToxieRules
After listening and reading a lot of interviews with some of them they reference Classical, Progressive Rock and Jazz as their main influence and there is a reason that they are drawn to this type of music because it is incredibly musical.
Surely what you mean is that these genres are more
melodic, which makes sense given the technology video game composers had to work with. The NES for example has so few sound channels, there's little room for complex instrumentation (particularly percussion).
Once you get to the Sega Genesis era, it's far more common to hear soundtracks influenced by 80s metal or contemporary dance music than it is to hear anything jazz or prog-influenced. I think Koji Kondo just happens to have an interest in these types of music. Even on the NES there are many soundtracks that sound like hair metal in terms of composition; Contra for instance. There's nothing inherently more
musical about the genres you mention.
Honestly, and I don't mean this as a slight because I love video game music and have a great respect for many of the composers, but most of them didn't write wholly original music but rather adapted something existing to the format of the console. Nearly everything Yuzo Koshiro, for instance, is credited for has a near 1:1 example existing somewhere; most of the famous tracks of Streets of Rage and his other memorable compositions have sections lifted wholesale from existing music. Now, merely getting this to even work at all at a sonic level on the hardware they worked with is quite a feat in itself. Also, like Picasso said, "good artists copy. Great artists steal."
Originally posted by: ToxieRules
The reason why a lot of the good video game music is remembered because it really is on the same scale as some of these groups/musicians.
Again, I love video game music, but I think the reason many people remember these songs so vividly is because they are short and repetitive and we listened to them for hours and hours while playing the games. Based on studies, it takes around 10 times of a person hearing a musical phrase or pattern for it to embed into their subconscious.